The pieces are on aluminium roadsigns, finished and riveted by myself. They both have Krink ink on top of aerosol paint. The priming of the aluminium was the most involved I’ve ever been with paintings, part of the process of scaling the work down. The collection’s theme was viewpoints (hence, the cube) and every one of the twelve paintings in the collection had different areas of the metal sanded, primed with aerosol and stickers and lacquer too.